GALLERY TOMA · ARTIST ARCHIVE

Yong Hwan Lee

Landscape after History: Gunkanjima

2017.06.30–07.09 · Art Shop TOMA, Daegu

Yong Hwan Lee exhibition poster · 2017 — Exhibition poster · Installation record

ARTIST & EXHIBITION

Looking at traces of history

Yong Hwan Lee records the buildings and ruins of Hashima Island, Japan, in monochrome photographs. Maintaining the horizontal and vertical lines of the architecture, his restrained images invite reflection on the traces of history and the memories viewers bring to the landscape.

Sources: Gallery TOMA exhibition record and Maeil Newspaper, 7 July 2017.

EXHIBITIONS · POSTER ARCHIVE · PRESS

INSTALLATION VIEWS

Exhibition views

Installation view · Art Shop TOMA · 2017 · 1 — Installation view 1

Installation view · Art Shop TOMA · 2017 · 2 — Installation view 2

Installation view · Art Shop TOMA · 2017 · 3 — Installation view 3

Installation view · Art Shop TOMA · 2017 · 4 — Installation view 4

Installation view · Art Shop TOMA · 2017 · 5 — Installation view 5

Installation view · Art Shop TOMA · 2017 · 6 — Installation view 6

Installation view · Art Shop TOMA · 2017 · 7 — Installation view 7

EXHIBITION RECORDS

Exhibition gatherings

Exhibition gathering · Art Shop TOMA · 2017 · 8 — Exhibition gathering 8

Exhibition gathering · Art Shop TOMA · 2017 · 9 — Exhibition gathering 9

Exhibition gathering · Art Shop TOMA · 2017 · 10 — Exhibition gathering 10

Exhibition gathering · Art Shop TOMA · 2017 · 11 — Exhibition gathering 11

PRESS & PUBLICATIONS

Press & publications

매일신문 · 2017.07.07Gunkanjima and the painful history of Koreans under Japanese colonial rule

PHOTO DOT · 2017.07 · Vol. 44

Photodot + Radar — Yong Hwan Lee, Landscape after History: Gunkanjima. Issue and article title verified from the printed material supplied by Gallery TOMA.

2017-7월 전시미리보기 ↗

← ARTISTS · PRESS ARCHIVE →